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Exploring the Master of Classical Music Performance -Accordian

What do students learn in a Master of Classical Music Performance?

sabina with her big black acordian
sabina with her big black acordian

I recently had the pleasure of interviewing Sabina Afteka, a student in the Master of Classical Music Performance program at the Sibelius Academy. This is part of a podcast series where you can listen here. Sabina shared her journey and insights into studying classical music performance with a focus on the accordion.

What do you study in your degree?

This is most of, I would say, basic studies for a musician. So classical performance, I play the accordion, so it’s mostly classical music and the newest contemporary music, so 21st century. So the basis of the degree is solo accordion lessons, chamber music, free accompaniments. Then we have extra skills and things to develop your classical playing.

What does your degree structure look like?

Compared to other universities, it’s quite free, especially since I came just for the master’s degree. On the bachelor’s, you have more compulsory subjects, but on masters, the only compulsory ones are accordion solo lessons, chamber music, and at least one. But I took four or five because I love to play with people. Then we need to take part in master classes in the class concert, so be active.

There are no specific subjects we need to do; we need to do something within certain borders of the subject. For example, some language courses like English and Finnish. Then something from the musical, more theoretical background, and history of music. For myself, I chose the pedagogy program. So I’m also doing postgraduate teachers’ pedagogy now, but I started the pedagogy a few years ago. The master’s program is supposed to last two and a half years, but in my case, it’s my fourth year due to COVID extensions.

What does a typical day look like?

Nowadays, because I finished most of my main subjects and already played my recital, I’m working on my teacher’s pedagogy final paper. I also do student ambassador jobs to see what we can help with and schedule the day accordingly. I try to practice the accordion when there are free classrooms. Additionally, I practice singing for upcoming recordings and opera performances. It depends on my focus; if I’m not very focused, I do computer work, but if I am, I practice my instrument.

Did you have a final recital for your master’s?

Yes, on accordion, we have one final recital that is supposed to showcase your personality. It’s quite open how you can proceed with it. I played mine last spring, and it was one hour and twenty minutes of mostly contemporary pieces. For the final piece, my friend composed a piece for a string quartet, an accordion, and an opera singer, where I performed all roles. It was well-received, showing that new music can be fun and engaging.

What kind of things are you learning in the pedagogy module?

The most interesting part was going to music schools, especially schools for students who need special attention. There, we saw how music brings joy and learning to different kinds of learners. It is valuable to learn even if the learning is slow. We also invented our own methodology and decide whether it’s qualitative, quantitative, or narrative.

Do the modules fit inside your degree, or do they make the degree longer?

No, they fit in. There are enough points to include them in the degree. I really like the modules idea. I took classes in music technology, electroacoustic, singing, and improvisation.

What was the process of getting into the university like?

I started as an Erasmus student in 2019, which was an amazing experience. After my Erasmus period, I didn’t want to leave, so I applied for the master’s program. The application process involved a lot of paperwork, a motivation letter, a CV, and a 50-minute uncut repertoire recording. They also sent an obligatory piece a few days before the deadline, which was initially overwhelming but turned out fine.

Do you have any advice for someone wanting to study at the Sibelius Academy or play the accordion?

Get inspired by going to concerts. This keeps me feeling alive in the industry. Listen to and watch performances by the best players, read their biographies, and understand their paths. Participate in competitions and master classes to get new impacts and understand the market level.

Can you share any interesting trends or developments in contemporary music?

New music today is more multilayered and multidisciplinary. Concerts often include live electronics, multi-speakers, videos, and interactive visuals. This helps capture the audience’s attention and enhances their understanding of the music.

What do you hope to learn during your studies and career?

I hope to learn how to manage multiple tasks and be happy with the results. Balancing playing the accordion, singing, student ambassador work, and producing music is challenging. I want to become more efficient and maintain my happiness while managing these responsibilities.

What do you think will happen after graduation?

It depends on the instrument. Orchestral instrumentalists often start auditioning for orchestras before graduating. Many work as freelancers, applying for grants and forming ensembles. It’s essential to work on various projects and keep creating new opportunities.

How can someone find out about your concerts?

Mostly through Instagram and Facebook. I’m performing in an opera called “It Takes Child Imagination” on June 5th. Follow me for updates.

How do you avoid burnout?

I try to balance my interests, ensuring I don’t rely on one instrument alone. I also sing. Enough sleep and snacks are crucial. Having friends who are passionate about music helps keep me motivated. I also plan my days to ensure I have time for rest.

Final thoughts?

Being a musician is an honor, and every day is interesting. Despite the challenges, it’s worth it. Come to our concerts and enjoy the artistic field!

Summary

My conversation with Sabina Afteka revealed the enriching experience of studying classical music performance at Uniarts. Her journey highlights the importance of balancing various interests and maintaining passion in the face of challenges. If you are passionate about music and looking for a comprehensive program, consider apply to Uniarts!

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Life of an art student

In this blog, Uniarts Helsinki students share their experiences as art students from different academies and perspectives, in their own words. If you want to learn even more regarding studying and student life in Uniarts and Helsinki, you can ask directly from our student ambassadors.

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