The artistic research project
In the context of the contemporary problem of attention deficit and the multiplicity of stimuli, daily rush, and continuous lack of time, we lost a real definition of nature somewhere. Our everyday perception of landscape is often reduced to aesthetics. The experience of the environment is distorted by simplification and stereotypes caused by ocularcentrism privileging vision over the other senses. Nowadays nature is perceived as a commodity, treated in a consumptive way according to human’s selfish manner and desire, judged according to the well-established definition of “beauty”.
The aim is to experiment with a perception based only on the primary haptic contact. In my project, the reduction of cognition to the sense of touch is made in the hope of developing new tenderness and redefining current relationships in the human and non-human world.
Casts catch the moments. I want my project to be a pause. It is meant to be an experiment of juxtaposing different textures from the casts of human skin with elements of the natural environment with the aim of putting them together equally, without divisions and prejudices. Will we recognize human and non-human beings only by touching their textures recorded in casts? Do we need this knowledge? Do we need to know who is hiding in the texture of the casting to activate our sensitivity in relation to it? How do we build relationships based on care?
Agata Ruchlevicz Dzianach is an independent artist, architect, researcher, and an academic teacher. She has graduated from the Academy of Fine Arts in Gdansk (PL). Since 2020 she has worked as a lecturer at her alma mater. Ruchlevicz Dzianach is the owner of a design studio Pracownia ARD (2013). In her artistic research work, she investigates the relationship between humans and the urban space, focusing on the subjective and emotional perception of the environment. She works on her doctoral dissertation related to the beyond-visual perception of neglected spaces in the cities. She is co-founder of GrubyPunkt Urban Lab (2011) whose main initiative is SubjectiveMap – an art participatory project focused on intangible urban layers giving a voice to people that are often excluded from the everyday discussion about urban space (e.g. young people, seniors, immigrants, or blind and visually impaired people). She has realized many participatory projects in Poland, Germany, Lithuania, Spain, and Portugal.
Her projects have been presented at various festivals and exhibitions, among others: CityTelling Festival (Kaunas, LT), Digital Cultures Imagined Futures Festival – section Best of Poland (Warsaw, Poland), 8th International Festival of Creativity, Innovation & Digital Culture ESPACIO ENTER (Tenerife, ES), Post Screen Festival – International Festival of Art, New Media and Cybercultures (Lisbon, PT), EME3 BOTTOM-UP Festival (São Paulo, BRA), Architecture as human nature exhibition (Berlin, DE) or the 7th EME3 International Architecture Festival (Barcelona, ES).
She is actively involved in research on architectural education and activities promoting gender equity in architecture. Ruchlevicz Dzianach is member of the international network Women in Architecture. She is co-author of the scientific book “Powszechna edukacja architektoniczna. Doświadczenia polskie i kształcenie incydentalne.” (“Universal architectural education. Polish experiences and incidental education.”).
Agata Ruchlevicz Dzianach‘s Research Pavilion residence will take place in Saari Residence from 16 May to 28 May 2023.
Artistic research is one of Uniarts Helsinki’s specialities. In this blog you can read about latest activities in the field from our community and guest writers. The blog is currently updated by Uniarts Helsinki’s Research Pavilion, the Performing Arts Research Centre Tutke and the Centre for Artistic Research (CfAR).
Taiteellinen tutkimus on yksi yliopistomme erityispiirre. Lue blogista yliopistoyhteisömme ja vierailijoiden kirjoituksia ja ajatuksia taiteellisen tutkimuksen ajankohtaisista ilmiöistä ja tapahtumista. Blogia päivittää tällä hetkellä Taideyliopiston Tutkimuspaviljonki, Esittävien taiteiden tutkimuskeskus Tutke ja Taiteellisen tutkimuksen tutkimuskeskus (CfAR).